Neuschwanstein Castle: An homage to Richard Wagner & my inspiration

Neuschwanstein Castle ("New Swanstone” Castle”) is a nineteenth-century Romanesque Revival palace on a rugged hill above the village of Hohenschwangau near Füssen in southwest Bavaria, Germany. The palace was commissioned by Ludwig II of Bavaria as a retreat and as an homage to Richard Wagner. Ludwig paid for the palace out of his personal fortune and by means of extensive borrowing, rather than Bavarian public funds.

The palace was intended as a personal refuge for the reclusive king, but it was opened to the paying public immediately after his death in 1886.Since then more than 61 million people have visited Neuschwanstein Castle. More than 1.3 million people visit annually, with as many as 6,000 per day in the summer. The palace has appeared prominently in several movies and was the inspiration for Disneyland's Sleeping Beauty Castle and later, similar structures.

Neuschwanstein embodies both the contemporaneous architectural fashion known as castle romanticism, and Ludwig II's immoderate enthusiasm for the operas of Richard Wagner.

In the nineteenth century, many castles were constructed or reconstructed; often with significant changes to make them more picturesque. Palace-building projects similar to Neuschwanstein had been undertaken earlier in several of the German states and included Hohenschwangau Castle, Lichtenstein Castle, Hohenzollern Castle, and numerous buildings on the River Rhine such as Stolzenfels Castle.] The inspiration for the construction of Neuschwanstein came from two journeys in 1867 — one in May to the reconstructed Wartburg near Eisenach, another in July to the Château de Pierrefonds, which Eugène Viollet-le-Duc was transforming from a ruined castle into a historistic palace.

The king saw both buildings as representatives of a romantic interpretation of the Middle Ages as well as the musical mythology of his friend Richard Wagner. Wagner's operas Tannhäuser and Lohengrin had made a lasting impression on him.

In February 1868, Ludwig's grandfather Ludwig I died, freeing the considerable sums that were previously spent on the abdicated king's appanage. This allowed Ludwig II to start the architectural project of building a private refuge in the familiar landscape far from the capital Munich, so that he could live out his idea of the Middle Ages.

“…..It is my intention to rebuild the old castle ruin of Hohenschwangau near the Pöllat Gorge in the authentic style of the old German knights' castles, and I must confess to you that I am looking forward very much to living there one day [...]; you know the revered guest I would like to accommodate there; the location is one of the most beautiful to be found, holy and unapproachable, a worthy temple for the divine friend who has brought salvation and true blessing to the world….”

— Ludwig II, Letter to Richard Wagner, May 1868

Ludwig and Wagner

Ludwig was intensely interested in the operas of Richard Wagner. This interest began when Ludwig first saw Lohengrin at the impressionable age of 15½, followed by Tannhäuser ten months later. Wagner's operas appealed to the king's fantasy-filled imagination.

Wagner had a notorious reputation as a political radical and philanderer, and was constantly on the run from creditors. But on 4 May 1864, the 51-year-old Wagner was given an unprecedented 1¾ hour audience with Ludwig in the Royal Palace in Munich; later the composer wrote of his first meeting with Ludwig, "Alas, he is so handsome and wise, soulful and lovely, that I fear that his life must melt away in this vulgar world like a fleeting dream of the gods." Ludwig was probably the savior of Wagner's career. Without Ludwig, it is doubtful that Wagner's later operas would have been composed, much less premiered at the prestigious Munich Royal Court Theatre (now the Bavarian State Opera).

A year after meeting the King, Wagner presented his latest work, Tristan und Isolde, in Munich to great acclaim. But the composer's perceived extravagant and scandalous behaviour in the capital was unsettling for the conservative people of Bavaria, and the King was forced to ask Wagner to leave the city six months later, in December 1865.

Ludwig considered abdicating to follow Wagner, but Wagner persuaded him to stay.

Ludwig provided a residence for Wagner in Switzerland. Wagner completed Die Meistersinger there; it was premiered in Munich in 1868. When Wagner returned to his "Ring Cycle", Ludwig demanded "special previews" of the first two works (Das Rheingold and Die Walküre) at Munich in 1869 and 1870.

Wagner however was now planning his great personal opera house at Bayreuth. Ludwig initially refused to support this grandiose project. But when Wagner exhausted all other sources, he appealed to Ludwig, who gave him 100,000 thalers to complete the work. Ludwig attended the dress rehearsal and third public performance of the complete Ring Cycle in 1876.

Ludwig was deeply peculiar and irresponsible, but the question of clinical insanity remains unresolved. The prominent German brain researcher Heinz Häfner has disagreed with the contention that there was clear evidence for Ludwig's insanity. Others believe he may have suffered from the effects of chloroform used in an effort to control chronic toothache rather than any psychological disorder. His cousin and friend, Empress Elisabeth held that, "The King was not mad; he was just an eccentric living in a world of dreams. They might have treated him more gently, and thus perhaps spared him so terrible an end.

Today visitors pay tribute to King Ludwig by visiting his grave as well as his castles. Ironically, the very castles which were said to be causing the king’s financial ruin have today become extremely profitable tourist attractions for the Bavarian state. The palaces, given to Bavaria by Ludwig III's son Crown Prince Rupprecht in 1923, have paid for themselves many times over and attract millions of tourists from all over the world to Germany each year.

The Neuschwanstein Castle has inspired me through the years and made me develop a taste for royalty, kings, queens and fairy tales. Here is a collection of crowns I have created inspired be Neuschwanstein Castle: